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		<title>Felice Varini : Suite d'&#201;clats</title>
		<link>https://www.etherreal.com/spip.php?article4703</link>
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		<dc:date>2013-09-14T14:30:36Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>11111110</dc:subject>
		<dc:subject>Fran&#231;ois Morellet</dc:subject>
		<dc:subject>Jimmie Durham</dc:subject>
		<dc:subject>Roman Signer</dc:subject>
		<dc:subject>Daniel Buren</dc:subject>
		<dc:subject>HAB Galerie</dc:subject>
		<dc:subject>Lilian Bourgeat</dc:subject>
		<dc:subject>Felice Varini</dc:subject>
		<dc:subject>Huang Yong Ping</dc:subject>
		<dc:subject>Ange Leccia</dc:subject>
		<dc:subject>Tatzu Nishi</dc:subject>
		<dc:subject>Erwin Wurm</dc:subject>

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&lt;p&gt;Pour prolonger la r&#233;ussite d'Estuaire, manifestation destin&#233;e &#224; faire red&#233;couvrir le fleuve, de Nantes &#224; Saint-Nazaire, par l'interm&#233;diaire d'&#339;uvres install&#233;es sur les rives, Le Voyage &#224; Nantes a &#233;t&#233; cr&#233;&#233; l'an pass&#233;. Dans la lign&#233;e de ces propositions municipales conduisant &#224; la mise en place (plus ou moins temporaire) de cr&#233;ations contemporaines dans l'espace public, ce rendez-vous annuel compte plusieurs d&#233;clinaisons : &#339;uvres diss&#233;min&#233;es dans la ville, expositions en institutions, (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?rubrique5" rel="directory"&gt;Art / Expos&lt;/a&gt;

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&lt;a href="https://www.etherreal.com/spip.php?mot3504" rel="tag"&gt;Roman Signer&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3621" rel="tag"&gt;Daniel Buren&lt;/a&gt;, 
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&lt;a href="https://www.etherreal.com/spip.php?mot4965" rel="tag"&gt;Lilian Bourgeat&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4966" rel="tag"&gt;Felice Varini&lt;/a&gt;, 
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&lt;a href="https://www.etherreal.com/spip.php?mot5249" rel="tag"&gt;Ange Leccia&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot5289" rel="tag"&gt;Tatzu Nishi&lt;/a&gt;, 
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		<title>Fresh Hell</title>
		<link>https://www.etherreal.com/spip.php?article3865</link>
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		<dc:date>2011-01-03T07:54:38Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>11111100</dc:subject>
		<dc:subject>Palais de Tokyo</dc:subject>
		<dc:subject>Roman Signer</dc:subject>
		<dc:subject>Geert Goiris</dc:subject>
		<dc:subject>Maurizio Cattelan</dc:subject>
		<dc:subject>Martin Kippenberger</dc:subject>
		<dc:subject>Bruce Nauman</dc:subject>
		<dc:subject>Bas Jan Ader</dc:subject>
		<dc:subject>Gino De Dominicis</dc:subject>

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&lt;p&gt;Comme chaque automne depuis trois ans, le Palais de Tokyo confie ses espaces &#224; un cr&#233;ateur qui dispose ainsi d'une carte blanche. Apr&#232;s Ugo Rondinone et Jeremy Deller, c'est Adam McEwen qui fait office de commissaire cette ann&#233;e pour une exposition collective apparemment centr&#233;e sur le processus de cr&#233;ation. &lt;br class='autobr' /&gt;
De fait, plusieurs &#339;uvres op&#232;rent dans ce champ th&#233;matique, &#224; l'image des panneaux argent&#233;s d'isolation plac&#233;s par Rudolf Stingel sur une des cimaises et que le public est invit&#233; &#224; (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?rubrique5" rel="directory"&gt;Art / Expos&lt;/a&gt;

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&lt;a href="https://www.etherreal.com/spip.php?mot3504" rel="tag"&gt;Roman Signer&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3822" rel="tag"&gt;Geert Goiris&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4269" rel="tag"&gt;Maurizio Cattelan&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4270" rel="tag"&gt;Martin Kippenberger&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4271" rel="tag"&gt;Bruce Nauman&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4503" rel="tag"&gt;Bas Jan Ader&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4828" rel="tag"&gt;Gino De Dominicis&lt;/a&gt;

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		<title>Gakona : Roman Signer / Ceal Floyer</title>
		<link>https://www.etherreal.com/spip.php?article3106</link>
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		<dc:date>2009-04-16T12:25:42Z</dc:date>
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		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>11111000</dc:subject>
		<dc:subject>Palais de Tokyo</dc:subject>
		<dc:subject>Roman Signer</dc:subject>
		<dc:subject>Ceal Floyer</dc:subject>
		<dc:subject>Laurent Grasso</dc:subject>
		<dc:subject>Micol Assa&#235;l</dc:subject>

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&lt;p&gt;Ensemble de quatre expositions personnelles, Gakona est &#224; l'origine le nom d'un village d'Alaska, lieu d'&#233;tudes &#233;tats-uniennes du projet HAARP &#224; la fronti&#232;re entre secret militaire et recherche scientifique. Creuset de tous les fantasmes et de toutes les craintes, cet espace donne donc son nom &#224; ce regroupement pas plus coh&#233;rent que cela que nous propose le Palais de Tokyo. On passera rapidement sur les propositions de Micol Assa&#235;l (grandes plaques de cuivre se faisant face, cens&#233;es cr&#233;er (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?rubrique5" rel="directory"&gt;Art / Expos&lt;/a&gt;

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&lt;a href="https://www.etherreal.com/spip.php?mot3505" rel="tag"&gt;Ceal Floyer&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3761" rel="tag"&gt;Laurent Grasso&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3845" rel="tag"&gt;Micol Assa&#235;l&lt;/a&gt;

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		<title>Ch&#226;teau de Tokyo / Palais de Fontainebleau</title>
		<link>https://www.etherreal.com/spip.php?article2890</link>
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		<dc:date>2008-10-12T18:24:46Z</dc:date>
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		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>11111100</dc:subject>
		<dc:subject>Jonathan Monk</dc:subject>
		<dc:subject>Ch&#226;teau de Fontainebleau</dc:subject>
		<dc:subject>Daniel Firman</dc:subject>
		<dc:subject>Etienne Bossut</dc:subject>
		<dc:subject>Jeremy Deller</dc:subject>
		<dc:subject>Roman Signer</dc:subject>
		<dc:subject>Ceal Floyer</dc:subject>
		<dc:subject>Luca Francesconi</dc:subject>
		<dc:subject>Urs Fischer</dc:subject>
		<dc:subject>Fabrice Gygi</dc:subject>

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&lt;p&gt;&#192; l'image d'autres mus&#233;es et lieux, le Ch&#226;teau de Fontainebleau a d&#233;cid&#233; de s'ouvrir &#224; l'art contemporain par le biais d'une mise en regard d'&#339;uvres actuelles avec les salons et l'architecture de l'&#233;difice du XVIe si&#232;cle. C'est le Palais de Tokyo qui a &#233;t&#233; s&#233;lectionn&#233; pour participer &#224; cet &#233;change, la structure parisienne mandatant ensuite une quinzaine d'artistes ayant r&#233;cemment expos&#233; dans ses murs. Comme souvent dans ce type d'entreprise, les plasticiens peuvent se diviser en deux groupes (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?mot3325" rel="tag"&gt;Etienne Bossut&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3359" rel="tag"&gt;Jeremy Deller&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3504" rel="tag"&gt;Roman Signer&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3505" rel="tag"&gt;Ceal Floyer&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3642" rel="tag"&gt;Luca Francesconi&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4480" rel="tag"&gt;Urs Fischer&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot5107" rel="tag"&gt;Fabrice Gygi&lt;/a&gt;

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