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		<title>Fertile Lands</title>
		<link>https://www.etherreal.com/spip.php?article5301</link>
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		<dc:date>2016-03-02T17:24:52Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>11111100</dc:subject>
		<dc:subject>Fondation d'entreprise Ricard</dc:subject>
		<dc:subject>Tacita Dean</dc:subject>
		<dc:subject>Vincent Lamouroux</dc:subject>
		<dc:subject>Cyprien Gaillard</dc:subject>
		<dc:subject>Lara Almarcegui</dc:subject>
		<dc:subject>Seth Price</dc:subject>
		<dc:subject>&#201;lodie S&#233;guin</dc:subject>
		<dc:subject>Sophie Bonnet-Pourpet</dc:subject>

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&lt;p&gt;Pas vraiment annonc&#233;e frontalement comme telle, Fertile Lands prend pourtant tous les atours d'une exposition souhaitant faire le point sur la pratique du land art, cette discipline utilisant des mat&#233;riaux naturels, souvent r&#233;alis&#233;e en ext&#233;rieur et dont les &#339;uvres sont alors saisies en photographie ou vid&#233;o pour &#234;tre pr&#233;sent&#233;es ensuite au public. &lt;br class='autobr' /&gt;
Sans v&#233;ritable surprise, on retrouve donc, dans l'espace de la Fondation d'Entreprise Ricard, plusieurs figures attendues, m&#234;me si la Spiral (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?rubrique5" rel="directory"&gt;Art / Expos&lt;/a&gt;

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&lt;a href="https://www.etherreal.com/spip.php?mot3823" rel="tag"&gt;Tacita Dean&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3906" rel="tag"&gt;Vincent Lamouroux&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4113" rel="tag"&gt;Cyprien Gaillard&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4915" rel="tag"&gt;Lara Almarcegui&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot5003" rel="tag"&gt;Seth Price&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot5400" rel="tag"&gt;&#201;lodie S&#233;guin&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot6242" rel="tag"&gt;Sophie Bonnet-Pourpet&lt;/a&gt;

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		<title>Les Promesses du Pass&#233;</title>
		<link>https://www.etherreal.com/spip.php?article3672</link>
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		<dc:date>2010-07-11T14:10:39Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>11111100</dc:subject>
		<dc:subject>Centre Pompidou</dc:subject>
		<dc:subject>Mircea Cantor</dc:subject>
		<dc:subject>Yael Bartana</dc:subject>
		<dc:subject>Tacita Dean</dc:subject>
		<dc:subject>Cyprien Gaillard</dc:subject>
		<dc:subject>David Maljkovi&#263;</dc:subject>
		<dc:subject>Ion Grigorescu</dc:subject>

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&lt;p&gt;Il y a deux ans, dans l'Espace 315 du Centre Pompidou, l'exposition Le Nuage Magellan partait du titre d'un roman de Stanislaw Lem pour &#233;voquer les utopies d&#233;chues. Cette fois-ci, dans la Galerie Sud et ce m&#234;me Espace 315 r&#233;unis, c'est une expression de Walter Benjamin qui sert de point de d&#233;part &#224; une exposition qui se veut &#171; une histoire discontinue de l'art dans l'ex-Europe de l'Est &#187; des ann&#233;es 1960 &#224; nos jours. Intelligemment class&#233;e par th&#233;matiques, la pr&#233;sentation (pens&#233;e par (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?rubrique5" rel="directory"&gt;Art / Expos&lt;/a&gt;

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&lt;a href="https://www.etherreal.com/spip.php?mot2408" rel="tag"&gt;11111100&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2587" rel="tag"&gt;Centre Pompidou&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3426" rel="tag"&gt;Mircea Cantor&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3715" rel="tag"&gt;Yael Bartana&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3823" rel="tag"&gt;Tacita Dean&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4113" rel="tag"&gt;Cyprien Gaillard&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4114" rel="tag"&gt;David Maljkovi&#263;&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4959" rel="tag"&gt;Ion Grigorescu&lt;/a&gt;

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		<title>Rapha&#235;l Zarka : Double paysage, temp&#234;te &#233;lectrique</title>
		<link>https://www.etherreal.com/spip.php?article3405</link>
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		<dc:date>2009-11-01T10:40:49Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>11111000</dc:subject>
		<dc:subject>Galerie &#201;douard-Manet</dc:subject>
		<dc:subject>Rapha&#235;l Zarka</dc:subject>
		<dc:subject>Tacita Dean</dc:subject>
		<dc:subject>Julien Pr&#233;vieux</dc:subject>
		<dc:subject>Robert Morris</dc:subject>

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&lt;p&gt;Un an tout juste apr&#232;s avoir obtenu le Prix Fondation d'Entreprise Ricard (et sans qu'il ne fasse &#233;tablir aucun lien de corr&#233;lation), Rapha&#235;l Zarka se voit accueillir par la Galerie &#201;douard Manet de Gennevilliers pour son exposition de rentr&#233;e. Pour ce qui semble &#234;tre une monographie, l'artiste montpelli&#233;rain est parti de la d&#233;couverte d'une forme g&#233;om&#233;trique aussi &#233;trange qu'intrigante : le rhombicubocta&#232;dre, sorte de sph&#232;re compos&#233;e de surfaces plates (huit triangulaires et dix-huit (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?rubrique5" rel="directory"&gt;Art / Expos&lt;/a&gt;

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&lt;a href="https://www.etherreal.com/spip.php?mot3187" rel="tag"&gt;Galerie &#201;douard-Manet&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3423" rel="tag"&gt;Rapha&#235;l Zarka&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3823" rel="tag"&gt;Tacita Dean&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3824" rel="tag"&gt;Julien Pr&#233;vieux&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4619" rel="tag"&gt;Robert Morris&lt;/a&gt;

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		<title>V/A : Haunted Weather</title>
		<link>https://www.etherreal.com/spip.php?article2161</link>
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		<dc:date>2004-08-02T10:00:00Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>Fabrice ALLARD</dc:creator>


		<dc:subject>Autechre</dc:subject>
		<dc:subject>Matmos</dc:subject>
		<dc:subject>Oval</dc:subject>
		<dc:subject>Pan Sonic</dc:subject>
		<dc:subject>Terre Thaemlitz</dc:subject>
		<dc:subject>Kaffe Matthews</dc:subject>
		<dc:subject>Otomo Yoshihide</dc:subject>
		<dc:subject>Ryoji Ikeda</dc:subject>
		<dc:subject>Sachiko M.</dc:subject>
		<dc:subject>Carsten Nicola&#239;</dc:subject>
		<dc:subject>Keith Rowe</dc:subject>
		<dc:subject>Fennesz</dc:subject>
		<dc:subject>G&#252;nter M&#252;ller</dc:subject>
		<dc:subject>Chris Watson</dc:subject>
		<dc:subject>Yuko Nexus6</dc:subject>
		<dc:subject>La Baleine</dc:subject>
		<dc:subject>Staubgold</dc:subject>
		<dc:subject>11111000</dc:subject>
		<dc:subject>Electronique</dc:subject>
		<dc:subject>Tacita Dean</dc:subject>
		<dc:subject>John Butcher</dc:subject>

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&lt;p&gt;Avant l'&#233;t&#233;, les labels semblent multiplier les compilations, CD samplers, rivalisant dans le remplissage de chaque galette pour notre bonheur bien entendu, justifiant la d&#233;marche par un pr&#233;texte ou concept plus ou moins valable. Staubgold, label certes de qualit&#233;, mise sur la cr&#233;dibilit&#233;, avec cette compilation supervis&#233;e par David Toop, touche &#224; tout passionn&#233; de musique d'une fa&#231;on g&#233;n&#233;rale, compositeur (dernier album en date avec Max Eastley chez Bip_Hop), critique (The Wire) et &#233;crivain (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?mot80" rel="tag"&gt;Matmos&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot91" rel="tag"&gt;Oval&lt;/a&gt;, 
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&lt;a href="https://www.etherreal.com/spip.php?mot127" rel="tag"&gt;Terre Thaemlitz&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot351" rel="tag"&gt;Kaffe Matthews&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot398" rel="tag"&gt;Otomo Yoshihide&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot427" rel="tag"&gt;Ryoji Ikeda&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot428" rel="tag"&gt;Sachiko M.&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot519" rel="tag"&gt;Carsten Nicola&#239;&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot529" rel="tag"&gt;Keith Rowe&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot709" rel="tag"&gt;Fennesz&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot997" rel="tag"&gt;G&#252;nter M&#252;ller&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot1080" rel="tag"&gt;Chris Watson&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot1864" rel="tag"&gt;Yuko Nexus6&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot1968" rel="tag"&gt;La Baleine&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2132" rel="tag"&gt;Staubgold&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2407" rel="tag"&gt;11111000&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2765" rel="tag"&gt;Electronique&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3823" rel="tag"&gt;Tacita Dean&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4847" rel="tag"&gt;John Butcher&lt;/a&gt;

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