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<item xml:lang="fr">
		
		
		<title>Chris Abrahams : Appearance</title>
		<link>https://www.etherreal.com/spip.php?article6324</link>
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		<dc:date>2021-02-12T16:37:39Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>Import</dc:subject>
		<dc:subject>11111100</dc:subject>
		<dc:subject>N&#233;o-Classique</dc:subject>
		<dc:subject>Classique</dc:subject>
		<dc:subject>Room40</dc:subject>
		<dc:subject>Chris Abrahams</dc:subject>

		<description>
&lt;p&gt;Apr&#232;s plusieurs disques dans lesquels il croisait piano ou orgue avec des &#233;l&#233;ments micro-&#233;lectroniques (cr&#233;pitements ou triturations), Chris Abrahams se concentre uniquement sur le clavier noir et blanc pour Appearance. Alors qu'&#224; l'occasion de ses sorties pr&#233;c&#233;dentes sur Room40, ces pages relevaient que l'Australien parvenait &#224; &#233;viter l'&#233;cueil de la pose, en ne laissant jamais le piano agir seul, le risque existait d'heurter cet obstacle sur un long-format constitu&#233; de deux morceaux d'une (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?rubrique1" rel="directory"&gt;Disques&lt;/a&gt;

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&lt;a href="https://www.etherreal.com/spip.php?mot2794" rel="tag"&gt;N&#233;o-Classique&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3757" rel="tag"&gt;Classique&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4202" rel="tag"&gt;Room40&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4224" rel="tag"&gt;Chris Abrahams&lt;/a&gt;

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<item xml:lang="fr">
		
		
		<title>Chris Abrahams : Fluid To The Influence</title>
		<link>https://www.etherreal.com/spip.php?article5355</link>
		<guid isPermaLink="true">https://www.etherreal.com/spip.php?article5355</guid>
		<dc:date>2016-05-27T12:19:25Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>Import</dc:subject>
		<dc:subject>11111100</dc:subject>
		<dc:subject>Electronique</dc:subject>
		<dc:subject>Ambient</dc:subject>
		<dc:subject>Room40</dc:subject>
		<dc:subject>Chris Abrahams</dc:subject>

		<description>
&lt;p&gt;Conservant un rythme de sortie triennal pour ses publications solos (tandis qu'&#224; c&#244;t&#233;, il propose plusieurs collaborations, notamment avec Alessandro Bosetti), Chris Abrahams livre un nouveau disque pour Room40, se situant dans la continuit&#233; de ses deux pr&#233;d&#233;cesseurs, avec une musique &#233;lectronique faite aussi bien d'incursions exp&#233;rimentales (glitchs et triturations) que d'apports plus m&#233;lodiques et lumineux (piano, orgue). &lt;br class='autobr' /&gt;
Au sein d'un m&#234;me titre, l'Australien peut ainsi basculer d'un (&#8230;)&lt;/p&gt;


-
&lt;a href="https://www.etherreal.com/spip.php?rubrique1" rel="directory"&gt;Disques&lt;/a&gt;

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&lt;a href="https://www.etherreal.com/spip.php?mot2408" rel="tag"&gt;11111100&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2765" rel="tag"&gt;Electronique&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2769" rel="tag"&gt;Ambient&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4202" rel="tag"&gt;Room40&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4224" rel="tag"&gt;Chris Abrahams&lt;/a&gt;

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<item xml:lang="fr">
		
		
		<title>Alessandro Bosetti &amp; Chris Abrahams / Pascal Battus &amp; Dafne Vicente-Sandoval</title>
		<link>https://www.etherreal.com/spip.php?article5212</link>
		<guid isPermaLink="true">https://www.etherreal.com/spip.php?article5212</guid>
		<dc:date>2015-10-30T16:42:38Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>Instants Chavir&#233;s</dc:subject>
		<dc:subject>Pascal Battus</dc:subject>
		<dc:subject>Chris Abrahams</dc:subject>
		<dc:subject>Alessandro Bosetti</dc:subject>

		<description>
&lt;p&gt;Le lendemain de la soir&#233;e curat&#233;e par le label Ronda, on reprit le chemin des Instants Chavir&#233;s pour un concert attendu de longue date, puisque ce passage francilien du duo Alessandro Bosetti et Chris Abrahams avait &#233;t&#233; annonc&#233; avant l'&#233;t&#233;. Avant de retrouver les auteurs du r&#233;cent (et plut&#244;t appr&#233;ci&#233;) A Heart That Responds From Schooling, la salle de Montreuil avait convi&#233; un autre duo, d&#233;j&#224; vu, pour notre part, en f&#233;vrier dernier au Lieu Unique. &lt;br class='autobr' /&gt;
Dafne Vicente-Sandoval et Pascal Battus (&#8230;)&lt;/p&gt;


-
&lt;a href="https://www.etherreal.com/spip.php?rubrique2" rel="directory"&gt;Concerts&lt;/a&gt;

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&lt;a href="https://www.etherreal.com/spip.php?mot2602" rel="tag"&gt;Instants Chavir&#233;s&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3958" rel="tag"&gt;Pascal Battus&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4224" rel="tag"&gt;Chris Abrahams&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4678" rel="tag"&gt;Alessandro Bosetti&lt;/a&gt;

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		<title>Alessandro Bosetti &amp; Chris Abrahams : A Heart that Responds from Schooling</title>
		<link>https://www.etherreal.com/spip.php?article5080</link>
		<guid isPermaLink="true">https://www.etherreal.com/spip.php?article5080</guid>
		<dc:date>2015-04-05T12:18:16Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>Import</dc:subject>
		<dc:subject>Unsounds</dc:subject>
		<dc:subject>11111100</dc:subject>
		<dc:subject>Electronique</dc:subject>
		<dc:subject>Minimal</dc:subject>
		<dc:subject>N&#233;o-Classique</dc:subject>
		<dc:subject>Chris Abrahams</dc:subject>
		<dc:subject>Alessandro Bosetti</dc:subject>

		<description>
&lt;p&gt;Par rapport aux autres disciplines que nous traitons sur ces pages, la musique offre cet avantage de permettre &#224; deux artistes d'op&#233;rer ensemble. En effet, deux r&#233;alisateurs, deux plasticiens (hormis les cas o&#249; ils op&#232;rent ensemble ab initio), deux metteurs en sc&#232;ne ou deux dramaturges ne travaillent qu'extr&#234;mement rarement de concert. En revanche, le champ musical est largement plus propice aux rencontres et collaborations, &#224; l'image de celle de Chris Abrahams et Alessandro Bosetti qui, (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?rubrique1" rel="directory"&gt;Disques&lt;/a&gt;

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&lt;a href="https://www.etherreal.com/spip.php?mot1978" rel="tag"&gt;Import&lt;/a&gt;, 
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&lt;a href="https://www.etherreal.com/spip.php?mot2408" rel="tag"&gt;11111100&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2765" rel="tag"&gt;Electronique&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2792" rel="tag"&gt;Minimal&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2794" rel="tag"&gt;N&#233;o-Classique&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4224" rel="tag"&gt;Chris Abrahams&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4678" rel="tag"&gt;Alessandro Bosetti&lt;/a&gt;

		</description>



		

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<item xml:lang="fr">
		
		
		<title>V/A : Echtzeitmusik Berlin</title>
		<link>https://www.etherreal.com/spip.php?article4883</link>
		<guid isPermaLink="true">https://www.etherreal.com/spip.php?article4883</guid>
		<dc:date>2014-06-19T14:54:25Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Fabrice ALLARD</dc:creator>


		<dc:subject>Static</dc:subject>
		<dc:subject>Axel D&#246;rner</dc:subject>
		<dc:subject>Christof Kurzmann</dc:subject>
		<dc:subject>Paul Lovens</dc:subject>
		<dc:subject>Margareth Kammerer</dc:subject>
		<dc:subject>Werner Dafeldecker</dc:subject>
		<dc:subject>Boris Hauf</dc:subject>
		<dc:subject>Metamkine</dc:subject>
		<dc:subject>11111100</dc:subject>
		<dc:subject>Electronique</dc:subject>
		<dc:subject>Exp&#233;rimental</dc:subject>
		<dc:subject>Improvisation</dc:subject>
		<dc:subject>Jazz</dc:subject>
		<dc:subject>Krautrock</dc:subject>
		<dc:subject>Minimal</dc:subject>
		<dc:subject>Noise</dc:subject>
		<dc:subject>Free</dc:subject>
		<dc:subject>Anthea Caddy</dc:subject>
		<dc:subject>Perlonex</dc:subject>
		<dc:subject>Hanna Hartman</dc:subject>
		<dc:subject>Lucio Capece</dc:subject>
		<dc:subject>Thomas Ankersmit</dc:subject>
		<dc:subject>Buckarhd Beins</dc:subject>
		<dc:subject>MoHa !</dc:subject>
		<dc:subject>Ignaz Schick</dc:subject>
		<dc:subject>Clare Cooper</dc:subject>
		<dc:subject>Chris Abrahams</dc:subject>
		<dc:subject>Derek Shirley</dc:subject>
		<dc:subject>Alessandro Bosetti</dc:subject>
		<dc:subject>Mikroton Recordings</dc:subject>

		<description>
&lt;p&gt;Echtzeitmusik Berlin est une &#233;norme compilation compos&#233;e de 3 CDs remplis &#224; ras bord. Nous en parlons ici pour la musique en elle-m&#234;me, mais aussi pour parler de Mikroton, le label qui l'a produit et sur lequel nous n'avons jamais pris le temps de nous arr&#234;ter. Mikroton est un label russe fond&#233; en 2009 et bas&#233; &#224; Moscou. Sa ligne artistique tourne autour des musiques improvis&#233;es et exp&#233;rimentales au sens large, avec un catalogue qui ravira les amateurs des Instants Chavir&#233;s &#034;parisiens&#034; (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?rubrique1" rel="directory"&gt;Disques&lt;/a&gt;

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&lt;a href="https://www.etherreal.com/spip.php?mot120" rel="tag"&gt;Static&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot571" rel="tag"&gt;Axel D&#246;rner&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot805" rel="tag"&gt;Christof Kurzmann&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot812" rel="tag"&gt;Paul Lovens&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot992" rel="tag"&gt;Margareth Kammerer&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot995" rel="tag"&gt;Werner Dafeldecker&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot1337" rel="tag"&gt;Boris Hauf&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot1976" rel="tag"&gt;Metamkine&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2408" rel="tag"&gt;11111100&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2765" rel="tag"&gt;Electronique&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2778" rel="tag"&gt;Exp&#233;rimental&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2786" rel="tag"&gt;Improvisation&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2789" rel="tag"&gt;Jazz&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2791" rel="tag"&gt;Krautrock&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2792" rel="tag"&gt;Minimal&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2795" rel="tag"&gt;Noise&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2805" rel="tag"&gt;Free&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2883" rel="tag"&gt;Anthea Caddy&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2916" rel="tag"&gt;Perlonex&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2952" rel="tag"&gt;Hanna Hartman&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3096" rel="tag"&gt;Lucio Capece&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3412" rel="tag"&gt;Thomas Ankersmit&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3584" rel="tag"&gt;Buckarhd Beins&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3586" rel="tag"&gt;MoHa !&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3601" rel="tag"&gt;Ignaz Schick&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3641" rel="tag"&gt;Clare Cooper&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4224" rel="tag"&gt;Chris Abrahams&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4402" rel="tag"&gt;Derek Shirley&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4678" rel="tag"&gt;Alessandro Bosetti&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot5098" rel="tag"&gt;Mikroton Recordings&lt;/a&gt;

		</description>



		

	</item>
<item xml:lang="fr">
		
		
		<title>Chris Abrahams : Memory Night</title>
		<link>https://www.etherreal.com/spip.php?article4642</link>
		<guid isPermaLink="true">https://www.etherreal.com/spip.php?article4642</guid>
		<dc:date>2013-07-10T15:28:19Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>Import</dc:subject>
		<dc:subject>11111000</dc:subject>
		<dc:subject>Electronique</dc:subject>
		<dc:subject>Exp&#233;rimental</dc:subject>
		<dc:subject>Minimal</dc:subject>
		<dc:subject>Room40</dc:subject>
		<dc:subject>Chris Abrahams</dc:subject>

		<description>
&lt;p&gt;Il y a deux ans et demi, on se souvient que Play Scar, album pr&#233;c&#232;dent de Chris Abrahams convoquait de nombreux instruments, m&#233;lang&#233;s en une ambient d&#233;licate et lumineuse. Cette fois-ci, l'Australien opte pour une approche nettement plus minimale et exp&#233;rimentale, choisissant de n'utiliser que des &#233;l&#233;ments &#233;lectroniques : souffles courts, petits glitchs, grincements, vrombissements et bruits m&#233;talliques. &lt;br class='autobr' /&gt;
En bonne logique, cet agencement donne une consonance nettement plus anxiog&#232;ne que sur (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?rubrique1" rel="directory"&gt;Disques&lt;/a&gt;

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&lt;a href="https://www.etherreal.com/spip.php?mot1978" rel="tag"&gt;Import&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2407" rel="tag"&gt;11111000&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2765" rel="tag"&gt;Electronique&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2778" rel="tag"&gt;Exp&#233;rimental&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2792" rel="tag"&gt;Minimal&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4202" rel="tag"&gt;Room40&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4224" rel="tag"&gt;Chris Abrahams&lt;/a&gt;

		</description>



		

	</item>
<item xml:lang="fr">
		
		
		<title>Chris Abrahams : Play Scar</title>
		<link>https://www.etherreal.com/spip.php?article3809</link>
		<guid isPermaLink="true">https://www.etherreal.com/spip.php?article3809</guid>
		<dc:date>2010-11-07T10:04:13Z</dc:date>
		<dc:format>text/html</dc:format>
		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>Metamkine</dc:subject>
		<dc:subject>11111110</dc:subject>
		<dc:subject>Electronique</dc:subject>
		<dc:subject>Ambient</dc:subject>
		<dc:subject>Minimal</dc:subject>
		<dc:subject>Room40</dc:subject>
		<dc:subject>Chris Abrahams</dc:subject>

		<description>
&lt;p&gt;Membre du trio The Necks, Chris Abrahams op&#232;re &#233;galement en solo depuis un quart de si&#232;cle et ce Play Scar en est un nouveau t&#233;moignage. H&#233;berg&#233; sur le label australien g&#233;r&#233; par Lawrence English, Room40, le musicien y livre un disque d'ambient minimale compos&#233;e &#224; partir de tr&#232;s nombreux instruments. &lt;br class='autobr' /&gt;
En effet, la pochette annonce que l'Australien joue du piano, de l'orgue Hammond, du Rhodes, de l'orgue d'&#233;glise, de la guitare, du tambourin, des cloches, du synth&#233;, de l'autoharpe ; sans (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?rubrique1" rel="directory"&gt;Disques&lt;/a&gt;

/ 
&lt;a href="https://www.etherreal.com/spip.php?mot1976" rel="tag"&gt;Metamkine&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2409" rel="tag"&gt;11111110&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2765" rel="tag"&gt;Electronique&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2769" rel="tag"&gt;Ambient&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot2792" rel="tag"&gt;Minimal&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4202" rel="tag"&gt;Room40&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4224" rel="tag"&gt;Chris Abrahams&lt;/a&gt;

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