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		<title>Les D&#233;rives de l'Imaginaire</title>
		<link>https://www.etherreal.com/spip.php?article4509</link>
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		<dc:date>2013-01-03T11:15:25Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>11111000</dc:subject>
		<dc:subject>Palais de Tokyo</dc:subject>
		<dc:subject>Pierre Vadi</dc:subject>
		<dc:subject>Rapha&#235;l Zarka</dc:subject>
		<dc:subject>Dove Allouche</dc:subject>
		<dc:subject>&#201;variste Richer</dc:subject>
		<dc:subject>David Hominal</dc:subject>
		<dc:subject>Matthew Buckingham</dc:subject>
		<dc:subject>Stephen Prina</dc:subject>
		<dc:subject>Rodney Graham</dc:subject>
		<dc:subject>Seth Price</dc:subject>

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&lt;p&gt;Apr&#232;s la Triennale qui a occup&#233; tout l'espace du Palais de Tokyo l'&#233;t&#233; dernier, c'est le moment d'entrer v&#233;ritablement dans la programmation voulue par Jean de Loisy, nouvellement en charge du centre d'art. Depuis sa r&#233;ouverture et son agrandissement (on y revient en fin de chronique), le lieu peut proposer plusieurs expositions simultan&#233;es et fait donc le choix d'offrir, en cet automne, deux propositions collectives et huit (!) monographies (sans compter les modules et interventions plus ou (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?mot3644" rel="tag"&gt;&#201;variste Richer&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4315" rel="tag"&gt;David Hominal&lt;/a&gt;, 
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		<title>L'ECAL &#224; Paris</title>
		<link>https://www.etherreal.com/spip.php?article3896</link>
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		<dc:date>2011-02-08T11:23:55Z</dc:date>
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		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>11111100</dc:subject>
		<dc:subject>Valentin Carron</dc:subject>
		<dc:subject>Cyprien Gaillard</dc:subject>
		<dc:subject>Cit&#233; internationale des arts</dc:subject>
		<dc:subject>David Hominal</dc:subject>
		<dc:subject>Philippe Decrauzat</dc:subject>
		<dc:subject>Francis Baudevin</dc:subject>
		<dc:subject>Adrien Missika</dc:subject>
		<dc:subject>Erwan Frotin</dc:subject>
		<dc:subject>St&#233;phane Dafflon</dc:subject>

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&lt;p&gt;R&#233;guli&#232;rement, ces pages vantent les m&#233;rites des plasticiens suisses francophones. Point commun entre la plupart de ces artistes : ils sont dipl&#244;m&#233;s du D&#233;partement arts visuels de l'ECAL, l'&#233;cole cantonale d'art de Lausanne. Afin de mettre en lumi&#232;re cet &#233;tablissement, deux expositions sont organis&#233;es &#224; Paris, l'une dans une Galerie et consacr&#233;e aux luminaires cr&#233;&#233;s par les &#233;l&#232;ves du D&#233;partement design industriel, et l'autre, &#224; la Cit&#233; internationale des arts, regroupant pr&#233;cis&#233;ment les (&#8230;)&lt;/p&gt;


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		<title>Valentin Carron : &#194;pre Mont</title>
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		<dc:date>2008-02-20T11:00:00Z</dc:date>
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		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>11111000</dc:subject>
		<dc:subject>Centre Culturel Suisse</dc:subject>
		<dc:subject>Valentin Carron</dc:subject>
		<dc:subject>David Hominal</dc:subject>

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&lt;p&gt;Pr&#233;sent avec ses grands crucifix dans l'exposition The Third Mind au Palais de Tokyo l'automne dernier, Valentin Carron fait cet hiver l'objet d'une exposition au Centre culturel suisse, soutien traditionnel de la sc&#232;ne plasticienne helv&#232;te. &#192; la fois artiste et commissaire de l'exposition, le Suisse a convi&#233; &#224; ses c&#244;t&#233;s trois camarades : Fabian Marti, Balthazar Lovay et David Hominal. &lt;br class='autobr' /&gt;
On passera tr&#232;s rapidement sur les productions de ces derniers et notamment sur les aquarelles de (&#8230;)&lt;/p&gt;


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