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		<title>(Un Mural, Des Tableaux)</title>
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		<dc:date>2015-04-01T12:46:07Z</dc:date>
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		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>11111000</dc:subject>
		<dc:subject>Le Plateau / FRAC &#206;le-de-France</dc:subject>
		<dc:subject>&#201;lodie Lesourd</dc:subject>
		<dc:subject>St&#233;phane Dafflon</dc:subject>
		<dc:subject>Ida Tursic et Wilfried Mille</dc:subject>
		<dc:subject>Lo&#239;c Ragu&#233;n&#232;s</dc:subject>
		<dc:subject>Kaye Donachie</dc:subject>
		<dc:subject>Nina Childress</dc:subject>

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&lt;p&gt;L'hiver est traditionnellement la saison &#224; laquelle le FRAC &#206;le-de-France pr&#233;sente, au Plateau, quelques-unes de ses r&#233;centes acquisitions et, chaque ann&#233;e, un th&#232;me ou un protocole de monstration est choisi, afin d'&#233;viter tout accrochage basique. Pour 2015, le plasticien St&#233;phane Dafflon a &#233;t&#233; sollicit&#233;, non pas pour curater la s&#233;lection, mais pour produire une m&#233;ta-&#339;uvre, sorte de fil rouge d'(Un Mural, Des Tableaux). De fait, sa peinture murale PM062 parcourt l'ensemble des cimaises du (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?rubrique5" rel="directory"&gt;Art / Expos&lt;/a&gt;

/ 
&lt;a href="https://www.etherreal.com/spip.php?mot2407" rel="tag"&gt;11111000&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3558" rel="tag"&gt;Le Plateau / FRAC &#206;le-de-France&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4466" rel="tag"&gt;&#201;lodie Lesourd&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4685" rel="tag"&gt;St&#233;phane Dafflon&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4991" rel="tag"&gt;Ida Tursic et Wilfried Mille&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot5244" rel="tag"&gt;Lo&#239;c Ragu&#233;n&#232;s&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot5602" rel="tag"&gt;Kaye Donachie&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot5972" rel="tag"&gt;Nina Childress&lt;/a&gt;

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		<title>Farah Atassi / &#201;lodie Lesourd</title>
		<link>https://www.etherreal.com/spip.php?article4052</link>
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		<dc:date>2011-07-13T10:26:50Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>11111000</dc:subject>
		<dc:subject>Les &#201;glises</dc:subject>
		<dc:subject>&#201;lodie Lesourd</dc:subject>
		<dc:subject>Farah Atassi</dc:subject>

		<description>
&lt;p&gt;Au risque que la critique d'exposition supplante la critique d'art, force est de constater que notre appr&#233;ciation des cr&#233;ations plastiques d&#233;pend en bonne partie de la mani&#232;re dont elles sont accroch&#233;es et, plus g&#233;n&#233;ralement, du contexte dans lequel elles sont pr&#233;sent&#233;es. Nouvel exemple avec ces deux mini-expositions personnelles (quatre &#339;uvres chacune) que les &#201;glises de Chelles consacrent &#224; deux jeunes femmes : Farah Atassi et &#201;lodie Lesourd. &lt;br class='autobr' /&gt;
D&#233;j&#224; &#233;voqu&#233;e dans ces pages, la premi&#232;re (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?rubrique5" rel="directory"&gt;Art / Expos&lt;/a&gt;

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&lt;a href="https://www.etherreal.com/spip.php?mot2407" rel="tag"&gt;11111000&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4465" rel="tag"&gt;Les &#201;glises&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4466" rel="tag"&gt;&#201;lodie Lesourd&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4467" rel="tag"&gt;Farah Atassi&lt;/a&gt;

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