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		<title>Philippe Gronon : In &amp; Out</title>
		<link>https://www.etherreal.com/spip.php?article4755</link>
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		<dc:date>2013-12-04T17:02:26Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>11111100</dc:subject>
		<dc:subject>Philippe Gronon</dc:subject>
		<dc:subject>Maison des Arts</dc:subject>

		<description>
&lt;p&gt;Crois&#233; &#224; l'exposition Echoes tenue il y a pr&#232;s de trois ans au Centre culturel suisse, Philippe Gronon avait pu proposer l'une de ses r&#233;alisations les plus courantes : la capture photographique d'objets &#224; l'&#233;chelle 1 et leur reproduction brute et d&#233;tour&#233;e. Pour In &amp; Out, courte monographie que lui consacre la Maison des Arts de Grand-Quevilly (espace municipal de 200 m&#178; de cette banlieue rouennaise), il reprend ce protocole en le centrant, cette fois-ci, sur des tableaux &#233;lectriques. Le (&#8230;)&lt;/p&gt;


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		<title>Echoes</title>
		<link>https://www.etherreal.com/spip.php?article3937</link>
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		<dc:date>2011-04-04T19:32:36Z</dc:date>
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		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>Rainier Lericolais</dc:subject>
		<dc:subject>Christian Marclay</dc:subject>
		<dc:subject>11111110</dc:subject>
		<dc:subject>Centre Culturel Suisse</dc:subject>
		<dc:subject>Pierre Vadi</dc:subject>
		<dc:subject>Valentin Carron</dc:subject>
		<dc:subject>Jeremy Deller</dc:subject>
		<dc:subject>Dominique Blais</dc:subject>
		<dc:subject>Hugues Reip</dc:subject>
		<dc:subject>Daniel Dewar et Gr&#233;gory Gicquel</dc:subject>
		<dc:subject>Sa&#226;dane Afif</dc:subject>
		<dc:subject>Francis Baudevin</dc:subject>
		<dc:subject>Arnaud Maguet</dc:subject>
		<dc:subject>Jim Shaw</dc:subject>
		<dc:subject>Isa Genzken</dc:subject>
		<dc:subject>Vincent Kohler</dc:subject>
		<dc:subject>Alighiero Boetti</dc:subject>
		<dc:subject>Su-Mei Tse</dc:subject>
		<dc:subject>John Armleder</dc:subject>
		<dc:subject>Philippe Gronon</dc:subject>

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&lt;p&gt;Depuis quelque temps, il ne se passe pas une demi-saison sans qu'une exposition s'attache aux liens entre musique et arts plastiques, en prenant souvent comme point de d&#233;part le disque vinyle, plus &#224; m&#234;me d'&#234;tre travaill&#233; par les cr&#233;ateurs (taille de la pochette, brillance du noir, pr&#233;sence de l'&#233;tiquette centrale) que le CD. &#192; son tour, le Centre culturel suisse rejoint cette mouvance avec Echoes, exposition collective qui, judicieusement, ne s'en tient pas qu'aux artistes helv&#232;tes, (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?mot4370" rel="tag"&gt;Isa Genzken&lt;/a&gt;, 
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