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		<title>Formes Biographiques</title>
		<link>https://www.etherreal.com/spip.php?article5174</link>
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		<dc:date>2015-09-03T18:50:32Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>11110000</dc:subject>
		<dc:subject>Carr&#233; d'Art</dc:subject>
		<dc:subject>David Lamelas</dc:subject>
		<dc:subject>Carl Andre</dc:subject>
		<dc:subject>Ahlam Shibli</dc:subject>
		<dc:subject>Peter Friedl</dc:subject>
		<dc:subject>Sigmar Polke</dc:subject>
		<dc:subject>Chantal Akerman</dc:subject>

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&lt;p&gt;Sujet id&#233;al du bac de philosophie (c'&#233;tait d'ailleurs l'un des th&#232;mes sur lesquels les terminales de cette ann&#233;e devaient plancher), la question des origines et de ce que chacun en tire (&#171; Suis-je ce que mon pass&#233; a fait de moi ? &#187; &#233;tait, plus pr&#233;cis&#233;ment, l'intitul&#233; de l'&#233;preuve en s&#233;rie litt&#233;raire) constitue, assur&#233;ment, une pr&#233;occupation des plasticiens. Comme de nombreux artistes, leurs productions peuvent, de fait, &#234;tre lues comme un autoportrait, plus ou moins en creux, et c'est cette (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?mot2406" rel="tag"&gt;11110000&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4417" rel="tag"&gt;Carr&#233; d'Art&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot5103" rel="tag"&gt;David Lamelas&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot5304" rel="tag"&gt;Carl Andre&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot5305" rel="tag"&gt;Ahlam Shibli&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot5306" rel="tag"&gt;Peter Friedl&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot6050" rel="tag"&gt;Sigmar Polke&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot6394" rel="tag"&gt;Chantal Akerman&lt;/a&gt;

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		<title>Until It Makes Sense</title>
		<link>https://www.etherreal.com/spip.php?article4183</link>
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		<dc:date>2011-11-17T20:12:30Z</dc:date>
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		<dc:language>fr</dc:language>
		<dc:creator>Fran&#231;ois Bousquet</dc:creator>


		<dc:subject>11111100</dc:subject>
		<dc:subject>Mario Garc&#237;a Torres</dc:subject>
		<dc:subject>Kadist Art Foundation</dc:subject>
		<dc:subject>Sa&#226;dane Afif</dc:subject>
		<dc:subject>Pratchaya Phinthong</dc:subject>
		<dc:subject>Matti Braun</dc:subject>
		<dc:subject>Matthew Buckingham</dc:subject>
		<dc:subject>Peter Friedl</dc:subject>

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&lt;p&gt;Comme chaque automne depuis deux ans, la Fondation Kadist invite un commissaire &#224; regrouper quelques &#339;uvres de sa collection autour d'une th&#233;matique de son choix. Cette fois-ci, Jean-Marc Pr&#233;vost a s&#233;lectionn&#233; huit cr&#233;ations op&#233;rant un lien avec une transformation temporelle, concept difficilement saisissable. Tout d'abord, certains artistes s'interrogent sur la notion de disparition, que celle-ci ait d&#233;j&#224; eu lieu ou non. Ainsi, Pratchaya Phinthong a &#233;chang&#233; 5 000 &#8364; contre des billets de (&#8230;)&lt;/p&gt;


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&lt;a href="https://www.etherreal.com/spip.php?mot2408" rel="tag"&gt;11111100&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3415" rel="tag"&gt;Mario Garc&#237;a Torres&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot3541" rel="tag"&gt;Kadist Art Foundation&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4255" rel="tag"&gt;Sa&#226;dane Afif&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4559" rel="tag"&gt;Pratchaya Phinthong&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4560" rel="tag"&gt;Matti Braun&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot4811" rel="tag"&gt;Matthew Buckingham&lt;/a&gt;, 
&lt;a href="https://www.etherreal.com/spip.php?mot5306" rel="tag"&gt;Peter Friedl&lt;/a&gt;

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